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The group prepared for the recording sessions by buying their own recording equipment, including a plate reverb unit purchased from Jona Lewie, the Stiff recording star from the 1980s who scored the hit ‘You’ll Always Find Me in the Kitchen at Parties’.
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Having considered a number of collaborators, including major figures like Scott Litt, the band were encouraged to be their own producers by recording sessions with engineer Nigel Godrich, who had assisted John Leckie with The Bends and had produced several Radiohead B-sides. The Bends had been a critical success, and it gave the band the self-confidence to want to produce their third album themselves. January 1996 saw a drained Radiohead taking a break. On 29 May, Yorke had a ‘breakdown’ and begged tour manager Tim Greaves to book him a flight back to England. On the debut show of the tour in Boston, Yorke lashed out at moshers in the crowd, yelling and hitting one with his guitar. The pressure on the band was immense and by the time the US tour for The Bends officially began, Yorke had a build-up of fluid in his ears from his regular airplane flying, worrying him that he might be going deaf. The five lads from Oxford (Thom Yorke, Jonny Greenwood, Colin Greenwood, Phil Selway and Ed O’Brien) made six promotional trips to America, but still The Bends stalled there at number 88. The release of their second studio album, The Bends, in 1995 saw Radiohead cracking the top 5 in the UK chart, playing to sold out crowds in the UK and Japan, but still not making an impression on that ever-important US market.
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